OTHER ACTS' ANALYSES

Every Breath You Take

(Sting / The Police)


John Deacon and Sting

One of the greatest hits of the year (and the decade). A very beautiful song where they proved how 'less is more' in some cases. Reportedly they lasted longer working on this one than the rest of the album because of its simplicity. Great use of clichéd progressions and section variants.


General Info:

Music & Lyrics by: Sting
Arranged by: Sting, Andy Summers & Stewart Copeland
Written: 1982
Length: 4:13
Released on: May 1983

Produced by: Hugh Padgham
Mixed by: Hugh Padgham

Engineered by: Hugh Padgham

Recorded at Air Studios, Montserrat, West Indies and Le Studio, Quebec, Canada
Recorded between: December 1982 - January 1983

Keys: Ab
Metre: 4/4
Form: Cyclic

Drums: Stewart Copeland
Upright Bass: Sting
Electric Guitar: Andy Summers

Lead Vocals: Sting
Backing Vocals: Stewart Copeland & Andy Summers

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The Composer:

Born in Newcastle-upon-Tyne, Gordon Sumner started playing music since an early age. Although primarily a singer and composer, he learnt to play bass, guitar and keyboards (in fact Every Breath You Take was written at the piano). Never a very technical player, but good enough to perform his own material.

He cites Love Me Do as the song that made him want to be a songwriter.

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The Performers:

The Police started off influenced by the punk movement, which was strange in this case because the three band members were professional musicians with the ability to read music and having a rich eclectic background. Still, the unique combination of Sting's lyrics and voice, Stewart's syncopated drumming and Andy's jazzy guitar-work, contributed to their distinctive sound and style from the beginning.

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Form:

Verse'
Verse
Verse
Middle-Eight
Verse
Break
Verse
Verse
Middle-Eight
Verse"
Verse"'...

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Motif:

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Verses:

Intro
Ab9
Ab9
Fm9
Fm9
Db9
Eb9
Ab9
Ab9
I
I
vi
vi
IV
V
I
I

Regular Verse
Ab9
Ab9
Fm9
Fm9
Db9
Eb9
Fm9
Fm9
I
I
vi
vi
IV
V
vi
vi

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Middle-Eight:

Db
Db
Ab
Ab
Eb
Eb
Bb
Bb
IV
IV
I
I
V
V
V-V
V-V

As usual, it starts in the subdominant (see Hey Jude, for instance).

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Break:

Nice bVI > bVII chord-vamp, resolved in the next section.

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